Tuesday, December 17, 2019
The Music Of The South African Anti Apartheid Movement
University of Pennsylvania Musical Independence: The Role of Music in the South-African Anti-Apartheid Movement Andrew Fixler Timothy Rommen Music 050: Introduction to Music in Cultures 5/11/15 ââ¬Å"Art is not a mirror held up to reality, but a hammer with which to shape itâ⬠(Bertold Brecht in Askew 2003: 633). Despite evolution across the globe and the continued development of societies and cultures, one entity has remained present throughout ââ¬â music. Though manifested in various forms, music has and continues to play an integral role in a multitude of settings, ranging from religious ceremonies to theater to pop culture and beyond. With universal influence, music possesses the ability to unite a nation behind a single cause yet simultaneously subjugate a people through musical propaganda and censorship. For instance, due to a lack of literacy and economic means in countries such as South Africa (plagued by apartheid sanctions), oral communication through music increases the accessibility of critical ideas. Nonetheless, though musical artists have the capacity to assert politically subversive statements through song, vehement government censorship and even propaganda reflect musicââ¬â¢s immense influence. Thus, a vessel through which sound is transformed to expression, music has tremendous political ramifications. Exploring the transformation of South-African music from ââ¬Å"a mirrorâ⬠of the apartheid struggles to a ââ¬Å"hammer with which to shapeâ⬠Show MoreRelatedNkosi Sikelel Africa: A Song Made More Popular by the Governments Banning1336 Words à |à 6 Pages The music from the Apartheid in South Africa was extremely important in the movement for freedom. At a time when there wasnââ¬â¢t much money for the Anti-Apartheid Movement, music became the most important weapon. 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Introduction In Neil Blomkampââ¬â¢s District 9 and Clint Eastwoodââ¬â¢s Invictus, the idea of apartheid is expressed using many different point of views, language and stylistic features. They both use camera angles and techniques to highlight power structures and point of views in the films. Additionally, they both use Mis-on-scene and symbolism
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